One of the characters featured in our music video is inspired by two cult movies: Clueless and Mean Girls. We decided that the costume in Mean Girls created an image of popularity and sexuality. However, the costumes used in the film are not realistic for our music video and so we had to tone them down. We therefore decided to mix the highly feminine fashion of Mean Girls with the sophisticated and couture fashion of Clueless. This mix creates a character who appears popular and sexual whilst maintaining class. The hot pink costume of the "Mean Girls" theme had to be changed to suit our genre. For example, our Mean Girls-inspired character is wearing black. The style of the clothes is there but the colour we changed as pink is too bright and the theme of our song is dark; therefore black matches our genre. Mean Girl's Regina George and Cluesses' Cher both are similar; they are both rich and failing classes. This represents how luxurious lifestyles can still produce failures. This inspiration was taken into account when constructing our kitchen scene. There is a shot of our Mean Girls/ Clueless character on the floor, seemingly passed out, reflecting how despite her popularity she is still at the bottom of life. A similar character is later seen in the bedroom, passed out on the bed with a bottle in her hand. She drops the bottle, representing her drop in popularity, referencing the Mean Girl's scene in which Cady throws up on Aaron Samuels during her party.
Our idea was also partly inspired by the film Project-X as the film focuses on a series of parties which become destructive. The main way we did this is the simple use of the red cups. The cups have connotations of America and heavy partying and the cups have even begun to become a novelty at British parties. However, to fit our cool, low-key indie genre we toned down the size of the party whilst retaining the cups.
We also borrowed Tove Lo's "Habits" Music Video narrative by following one character during a party. We altered it slightly by not showing the face of the character we follow and by having separate scenes to show the mini-narratives in the party. Tove Lo uses a close-up of the main character's face however we changed it for a point of view shot. This allows the audience to experience the themes of the video more. For example, during the end climax the main character bumps into other characters and as it is a point of view shot filmed on a go-pro it increases intensity. The audience is placed into the protagonists's shoes and it forced to endure the exit as the protagonist does. We had to remove point of view shots however mainly due to quality. We had access to a DSLR and a go-pro and the two qualities differ. The DSLR is much more higher in quality so we swapped out some go-pro shots for DSLR shots, mainly in the living room shots. We used the go-pro shots for transitions to other rooms. When the protagonist goes up the stairs the argument witnessed becomes more evident and more natural due to no cut to another angle.
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In my print productions I made some inter-textual references to the fantasy genre of film, most notable Alice in Wonderland. I chose to use a fairy-tale-like colour scheme of bright green, purple and blues. I then used effects which were not physical possible such as a person turning to smoke and water. This was done as people generally like things that are different from the norm. They like things that are out of the blue and a bit quirky. That is why I chose to use interesting effects that appear as though they are from Alice in Wonderland.
A detailed blog post, but it needs some work. Firstly, the Tove Lo video doesn't use POV shots - POV shots are when we feel like we're looking through the eyes of a character and seeing their world. Secondly, I'm not that convinced that your protagonist is making a reference to Mean Girls - we don't see much of your protagonist, but from what I remember, she's wearing black boots - no pink in sight!
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